As a gamer, I see what I and others play with joyful eyes; as an artist, I see what I and others do with critic eyes; as a scientist, I try to look into the past and the future at the same time, building the present with method and discipline. This combination has been very useful and fruitful for me along these years of work.

I've been using these three combined points of view as conceptual artist for character design, keeping aware of both technological and narrative needs and limitations in a game, whatever it's media, as well as of the social and psychological impacts the product might have.

That's the approach I would like to offer and develop in a game design team.